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The Devil’s Rock, 2011

Set during WWII, The Devil’s Rock tells the story of two men (Craig Hall and Matthew Sunderland) trapped on an island on the eve of the Normandy Invasion.  The movie wouldn’t be very interesting from that aspect except one of the men is a Nazi and the other is an Allied soldier.  It also just so happens (or maybe not) that on the island with them is a demon, in this case a succubus.  As you know, I don’t give a lot of spoilers so as far as details go, this is all you get.  However, even though I refuse to tell you the whole story, I can tell you it is much better than you would think.

This film received 4.8 starts on IMDb, which I can only surmise came from people who are either not fans of the genre or turned it off before giving it a chance.  Why anyone would turn it off without giving it some time I don’t get because the opening scenery is fantastic.  That alone is what made me keep watching until things got interesting.

While the film is a tad short for my taste at 83 minutes, it still earns a solid 7 in my book.  I disagree with IMDb’s rating for several reasons, but the biggest is that this movie is quite simply one of the best horror films I have seen in a while.  The acting was great, the story was interesting (it kept me guessing) and the special effects were top-notch.  There was only one small scene where I balked at the special effects, and once you see the film you will know what I am talking about.  But that scene was still a good one.

This is one of those films that will no doubt get overlooked by many horror fans because they see a bad review or most likely, have never even heard of it.  So if you are a fan of great characters and the horror genre, do yourself a favor:  rent the movie, make some popcorn, relax and just enjoy this solid horror film.  I promise you won’t regret it.

ALSO WORTH NOTING:  Craig Hall, who some of you may remember as “Wilson” from 30 Days of Night, is an actor to watch — the man can act.  He is a refreshing change of pace from those pretty boy A-list actors that can’t act their way out of a paper bag.  I am looking forward to seeing more of him.  Also, don’t believe the cover art which says “Saw with a swastika.”  It’s not anything like Saw –but it’s still a great flick.

It’s not the cat.  It’s NEVER the cat.  Except, of course when it is the cat, but really, why chance it?  Whose side do you think they’re on anyway?

I need to start this post by letting you know I can’t give too many details, as there are people and other blogs involved in this and this issue is not about them, it’s about Amazon.

In a nutshell, there is a certain author, who a certain blog owner and his commenters hate with a passion.  So much so, that the commenters took it upon themselves (well, the blog owner did a nudge-nudge, wink-wink) to add tags to the authors book (it’s only available right now for pre-order so reviews are not open yet) that crossed the line from petty and perhaps funny (which I have to problem with) to spiteful, mean and potentially libelous.  Yes, some of the tags are that bad.

Personally, I don’t know the author and have never read or purchased any of their books, but I did see a wrong being done here, and decided to report it to Amazon.  Keep in mind that I generally assume the best of people and companies until I am given a reason to think otherwise.  Amazon now has me thinking otherwise.

Here is my first e-mail to Amazon, with only the names redacted:

I think you may want to look into the tags associated with XXXXX’s book due out soon (Name of Book).  There is a blog (XXX) that has members who have openly stated they are adding negative tags without having read the book (obviously) simply because they and the blog owner don’t like the author.  Just FYI.

Sounds reasonable, right?  Here is the e-mail I received from Amazon in reply:

Hello Gizbot7,

I read the Tag you reported to us in your message. We understand your concerns, but since the Tag falls within our posted guidelines, we are unable to remove it. Here’s a link to our guidelines if you would like to have it for reference:

http://www.amazon.com/gp/help/customer/display.html?nodeId=16238571

We appreciate your understanding.

No real problem here until I realized two things:  first, that their own guidelines (that I didn’t look at until someone pointed out I should) state that you should not post tags that are “spiteful” and second, the e-mail said “tag” as in singular but I was concerned about several tags – plural.  So I responded to Amazon again.  This time with:

I submitted a feedback form regarding tags being added to XXXXX’s book “Name of Book” (that is soon to be released) that were added at the direction of a competing blog owner (XXX) and which were extremely spiteful and wrong.  I received this response from Erin P from Amazon:  “I read the Tag you reported to us in your message. We understand your concerns, but since the Tag falls within our posted guidelines, we are unable to remove it.”  This seems odd to me, since your own posted guidelines state:

What tags shouldn’t I use?
By default your tags are public so everyone can view them. You should not use:

1. Profane or obscene language, inciting or spiteful tags (emphasis mine)
2. Tags that might: harass, abuse or threaten other members of the community
3. Tags that may reveal any personal information about children under age 13
4. Tags that promote illegal or immoral conduct
5. Tags that indicate sentiments by or on behalf of a person or company with a financial interest in the product or a directly competing product

Your own guidelines indicate that the tags are clearly in violation of #1 and possibly #5.  I challenge anyone to take a look at some of the 160+ tags listed on XXX’s book and tell me with honesty that those tags aren’t spiteful.  In case you didn’t know, (the blog) posted an article today bragging about the tags they left for that book.

Now here is where we leave the path of courtesy and common sense on the part of Amazon:

Hello,

My name is XXX and I’m a senior member of our Communities team. A significant part of my job consists of deciding if tags adhere to our guidelines. As such, I reviewed the tags on (Name of Book).

This tag falls within our posted guidelines. We won’t remove it and we aren’t able to consider the removal of these tags any further. If you’d like it for your reference, here is a link to our Tags guidelines:

http://www.amazon.com/gp/help/customer/display.html?nodeId=16238571

First of all, was it really necessary to inform me that she is a “senior member” of their “Communities Team”?  Not really.  But that’s okay.  Sometimes it helps if customers think that someone in authority is involved with their issue.  However, when she goes on to completely dismiss my issue (once again, she refers to “this tag,” as opposed to tags) by saying “we won’t remove it” and then pretty much tells me to quit bothering her by saying “and we aren’t able to consider the removal of these tags any further” then yes, I am going to have an issue.  One also has to wonder if she did indeed see all of the tags, since in that sentence she uses “tags” — plural.  If so, one then has to wonder about her common sense.

Anyway, here is my most recent e-mail to Amazon (even though I was told to shut it):

After reporting spiteful tags being added to a book you sell (or will be next month) “Name of Book” by XXXXX, I received an e-mail indicating that your guidelines said the “tag” (singular) that I was reporting was within your guidelines and would not be removed.  Okay.  So, I re-reported the issue asking for someone to look at all of the tags (plural – I was not concerned with just one) as there are over 160 tags that anyone can see are at the very least spiteful and downright wrong.  In response to that e-mail, I was basically told to stop writing you.  This is the e-mail I received:

“Hello,

My name is XXXXX and I’m a senior member of our Communities team. A significant part of my job consists of deciding if tags adhere to our guidelines. As such, I reviewed the tags on Stop the Islamization of America: A Practical Guide to the Resistance.

This tag falls within our posted guidelines. We won’t remove it and we aren’t able to consider the removal of these tags any further. If you’d like it for your reference, here is a link to our Tags guidelines”

Bottom line is I don’t honestly care what tags people put on this particular book.  As you can see by pulling up my account I have never purchased a XXXXX book in my life and have no plans to do so.  As an outside observer, I thought you might want to know that your system was being abused and in the interest of doing the right thing may want to check it out.  I appreciate that someone at least read the e-mails I sent regardless of what you as a corporation decide to do.  What I don’t appreciate is basically being told to shut up about it.  Frankly, I could care less if “XXXXX” is the President of Amazon, her e-mail was unprofessional and does not reflect well on your company at all.

You may be wondering why I am bothering with this issue at this point.  After all, I admitted I have no real interest in the book in question.  The answer is simple:  what was done to this author was wrong.  If people are uninterested in the work of the author, they can choose not to purchase it.  Or, better yet, they can read it and leave whatever review they desire.  Again, I am not overly concerned with the adding of frivolous tags — it happens and sometimes they are funny.  But this situation crossed the line from funny to abuse, and Amazon — by virtue of the fact that they have guidelines at all — has an obligation to step in once the situation has been reported.

Quite frankly, I would have been satisfied if someone with some courtesy would have said they looked at the tags (plural) and whereas they could see why I might have a concern, the tags would have to stay accompanied by an understandable reason.  Is it really so much to ask that someone respond to my actual issue politely and without thinly veiled contempt?  With this particular representative and issue, I suppose it was.

I myself have been in customer service in some fashion most of my professional career and understand you get a lot of seemingly ridiculous demands and requests.  But here’s the catch — it is not your job to decide what is ridiculous.  After all, a customer took the time to tell you about it, so it clearly wasn’t ridiculous to them.  Aside from the fact that the tags do violate their own written policy, the old adage is true:  most of the time, it’s not so much what you say, but how you say it.  And telling a customer to shut their pie-hole ain’t it.

Oh, and by the way, the number of tags is now up to over 170.

UPDATE:  After a little research, turns out that this “we aren’t able to discuss this further” (I think someone needs to look up the word “able”) response is pretty common with Amazon.  It appears as though when they have decided you are no longer worth their time, they blow you off – and rudely.  I have a Kindle, which I admit I love mostly because I don’t have to interact with anyone at Amazon to purchase books.  However, customer service is important to me (important enough that I switched to and have stuck with a small cable company for the same price of the big dogs due to their great customer service) and this development  is troublesome.  The holidays are coming up so I think now just might be a good time to start looking at other e-readers.  I may or may not switch depending on what’s out there, but I can tell you this much:  I wouldn’t even be looking to change at all if it wasn’t for their horrible customer service.

I’ve said it before and I mean it — it is important to support unknown authors, dammit!  This is true if you love new and original work, but it’s especially true if you want to be an unknown (at least at first) author.  Check it out:

It recently came to my attention (yesterday in fact) that Jason Kristopher, author of The Dying of the Light:  End, is quite a busy man.  Turns out, he has taken up a cause that I can wholly support — publishing authors that normally wouldn’t stand of chance of anyone except friends and family seeing their work.  He operates Grey Gecko Press, whose purpose is “helping foster many new and talented authors in the years to come.”

The best description of Grey Gecko Press is Mr. Kristopher’s own:

“If you’ve ever written a story and been turned down, or if you’re frustrated by the way ‘the system’ works against new authors, or if you just want to try something different, give us a shout. I can’t promise that we’ll publish what you write, but I will promise to listen and to give you a chance. With no preconceived notions or ideas, no artificial barriers.”

So, if you ever thought no one would publish your book or, if like me and just enjoy great work, stop by his site and check it out.  While you’re there, you might as well pick up a book, too.

Rod Redux

Rod Redux’s horror and fantasy work as described on his Amazon page“The novels of Rod Redux are challenging, subversive and fantastical, merging genres and pushing the boundaries of propriety and good taste.”

I can agree with that.

When I first came across Mr. Redux’s name while searching out a good zombie book, two things struck me:  first, I honestly thought that the name “Rod Redux” had to be a pseudonym (a weird one at that) and second, due to my impression of his name, his books would be very cheesy.  However, instead of just moving on I found a book by him called Mort and read some of the reviews of it listed on Amazon.

At the time, I had been in a zombie book rut — it seemed like no matter which book I purchased I was being let down again and again.  The reviews of Mort on Amazon didn’t help all that much either, as some were good and some were bad.  I am well aware that reviews are all highly subjective and therefore in my mind, suspect.  This is important to me because after all, these books ain’t free.  Against the cynical voice in my head telling me not to, I went ahead and purchased the book.  Man, am I glad I didn’t listen to that negative little pissant voice.

Every once in a while, a book or film comes along that changes your mindset about a genre in such a way that it can never be switched back to its original setting.  This is what happened to me with Mort.  With Mort, Mr. Redux takes a done-to-death (ha ha) sub-genre (zombies) and instead of cheapening or exploiting it, actually manages to enhance it.  It’s not just that he added some twists to the mix (he did), but he was able to combine those twists with characters and a plot that were deep enough to not only keep you interested, but to make you feel involved.  I’m not saying that Mort is Shakespeare or that it’s going to change the world but that doesn’t mean it’s not still one heck of a great zombie book.

After being so pleased with Mort, I decided to check out some of Mr. Redux’s other offerings.  Next on my list was The Oldest Living Vampire Tells All — I wasn’t expecting much.  But again, my initial impression was proved wrong.  It’s an interesting book with a very unique main character.  Suffice it to say that after book number two, I went on and read his other books.  Not all of them had the impact on me that Mort did, but not one of them let me down.  He really is an author you just shouldn’t miss.

Here is a list of his current work, with my ratings:

  • Mort  5/5
  • The Oldest Living Vampire Tells All  5/5
  • The Oldest Living Vampire On The Prowl 5/5
  • Menace of Club Mephistopheles  4/5
  • Hole:  A Ghost Story  4/5
  • Indian Summer  5/5

Mr. Redux is currently working on a new novel, House of Dead Trees, and you can read an excerpt here.  He is also planning on a sequel to Mort, which this zombie fan ain’t gonna miss.

UPDATE 8/19/11:  On a whim, I decided to search around a bit about the sequel to Mort and found this, which indicates he is not writing a sequel.  However, I know I saw somewhere that he said he was after the date of the link above and will post it as soon as I find it again.  Maybe his mom convinced him to write a sequel?  Just keepin ya in the loop!

SIDE NOTE THAT HAS (ALMOST) NO BEARING ON THIS REVIEW:  I have seen a lot of horror book reviews that complain about the amount of sex and harsh language contained within them.  Here is my bottom line on this subject:  if the sex and language is even slightly pertinent to the story, I could care less if they are having orgies on Mars while screaming “Fuck Me Harder Beltran!” every other sentence.  It’s a HORROR book people; it is supposed to push boundaries.  If you don’t like that, there are plenty of books written in the same genre that leave all of that out.  To be fair however, some authors do like to add extra curse words and detailed sex scenes for no apparent reason and I agree it gets annoying, but only because it can take away from the story.  But even if they do that though, there is something you can do to make it go away right quick — flip the page.  You might just enjoy the book in spite of it.

Horror Movie Survival Tip #1

When all the animals around you start running in one direction, it’s time to haul ass with them.  Trust them, they know their shit.

Alright, if you have not seen the movie Cowboys & Aliens and are planning to do so, be aware —  here there be spoilers.  As always though, I will do my best to keep them to a minimum.

Before you even walk into a movie with the title Cowboys & Aliens, you automatically know (or you should anyway) that there is going to be a pretty significant amount of disregarding reality you will need to do to enjoy the film.  While that is true with almost all films, a movie with this title demands it.  So, let’s set aside the obvious ridiculousness of the premise:  the idea that people in the wild west could possibly stand a snowball’s chance in hell of defeating aliens who came to Earth from outer space with technology and weapons that we in the 21st century don’t even have.  You will also have to really take a leap and believe that Harrison Ford is actually a nice person (at least for a portion of the movie).  Still with me so far?  Okay, good.

Our protagonist, Jake (played by Daniel Craig of James Bond fame) wakes up with amnesia (shocka!) in the middle of nowhere USA with some sort of wound in his side and a fancy bracelet attached to his wrist, which he cannot get off.  He is then  approached by some cowboys who threaten to kill him for no discernible reason that I could find, other than to give Jake a reason to kill them and take their horses, clothes and their dog.  He somehow manages to find his way into town, where he meets a preacher, the towns richest-man’s-obligatory-spoiled-and-annoying-son, Percy (Paul Dano) and a woman named Ella (Olivia Wilde, widely known as “13” from House).

Yada, yada, yada, the aliens come in ships and start taking townsfolk from above using what looked to me like an electrified version of the claw game we all play at the beach and never win — which just goes to show that apparently aliens are much better at that game than any human I’ve ever met, but I digress.  Turns out, they are taking humans to “study our weaknesses” (do I even need to insert a snarky comment here?) and the people taken may or may not still be alive.

Jake has flashbacks that he was abducted by aliens along with his girlfriend (although throughout the film she was really only referred to as “whore” and “prostitute” as if that had any bearing on the film, which by the way, it didn’t) which becomes his motivation for finding the aliens and kicking some alien ass.  Harrison Ford’s (Woodrow) son Percy was also taken (naturally), which is his motivation.  Along the way Jake realizes the thingamajig on his arm is a weapon and can blast the hell out of whatever he wants.

Lots of dull things happen between the abductions and the next interesting part of the movie, so let’s just skip to the end shall we?  The cowboys team up with the Indians, and some robbers that Jake apparently was involved with pre-abduction join in as well.  Turns out Ella isn’t quite who everyone thought she was, and there is some sort of weird Jake and Ella attraction plot which made no sense really, except they were of roughly the same age and the two most attractive people in the movie.  Earthlings and aliens fight, Earthlings win.  Hopefully, that part wasn’t too much of a spoiler for ya.

Summarizing this movie is simple:  it didn’t totally suck, but it wasn’t all that good either.  I found myself looking for a way to root for the Earth people for a reason other than just that they were, well, Earth people — but I couldn’t find one.  The film gives you no reason whatsoever to give a shit about anybody in this movie except the little boy (Emmett, played by Noah Ringer) and the dog (named “Dog” for crying out loud).  You just can’t discount the innocence factor of a boy and his dog no matter what the movie, except maybe Cujo.

I didn’t even hate the aliens all that much.  They weren’t scary (the CGI aliens from Signs were scarier, to give you a hint) and all they really wanted  was our gold.  Since I am trying not to give everything away, just trust me on this one, the aliens blew.  Aside from some hands coming out of their chests (we never find out why they do that BTW) they were unoriginal, mainly humanoid and felt like you had seen them a million times before.  Oh, how this movie makes you long for the aliens in Independence Day.

Bottom line:  I felt like this film was forced.  It came across as more of a vehicle to give Olivia Wilde some screen cred and to suck up to Harrison Ford (the signs are subtle, but there).  The things that  should have been important in this film were cast aside — there was no character development (other than Ford turning from total ass to mostly-not-an-ass by the end), there was only a slight motivation for the audience to care about the outcome and the aliens stunk.

The story line listed on IMDb was more interesting than the actual film, which is sad because the movie had a lot of great actors; but even great acting cannot overcome a bad script.  I’m not saying don’t go see it, just don’t expect it to live up to 1/10th the hype that has been generated for it.  Set your expectation meter to very low and you just may enjoy it.  Otherwise, don’t say I didn’t warn you.

From my brain to yours — peace out.

QUICK NOTE:  I usually mostly agree with IMDb’s movie ratings, but don’t here.  This film did not deserve a 6.8.  Using their 10 star rating system, I would give it a 4, maybe 5 at best — and either one is being kind.

I started watching Falling Skies when the series premiered, partially because I enjoy good Sci-Fi and partially because TNT brainwashed me into it with the non-stop commercials between other shows and the non-stop advertisements during other shows.  The lead-up advertising for the show was so pervasive, it would not surprise me to find out a TNT representative was beside my bed personally whispering commercials to me while I slept.  So yeah, I have been watching it.

For those of you who may have not seen the show yet, this synopsis should get you pretty much up to date:

  • Some pretty nasty aliens (called Skitters) invade Earth, killing off most of us.  The show revolves around the survivors of that attack.
  • The aliens, instead of killing most of the children (say 7-18 year olds), have “harnessed” them with a sort of weird biological-thingy that attaches to their spinal cord (and God knows what else) to control the children, body and mind.  The upshot of this is that A) the harnesses seem to cure the children of any health problems they had before (in this case cystic-fibrosis) and B) the aliens seem to care about, perhaps even love the harnessed kids.  Awww, isn’t that nice?
  • The survivors are led by military-types (mostly) and kind of look at the civilians in their midst as total pains in the ass.  Ok, maybe not total pains, but pretty much.  (Personally, I think the civilians are unrealistically not bothersome, but maybe that’s just me.)
  • The parents of the harnessed kids obviously want them back, but sans harness, thank you very much.  After a few unfortunate tries (which are only talked about, never shown) the survivors figure out a way to get the harnesses off some of the kids they manage to rescue, but still aren’t sure about potential side effects.

Clearly, there are lots of other things that have happened such as the recent introduction of some sort of new nasty alien.  Well, this one’s not so nasty looking, but they are either in league with or in control of (I vote for the latter) of the Skitters.   Also, based on the last episode, it looks like those wonderful harnesses might have some pretty bad side effects.

So far, the show has done an amazing job of telling the story, developing characters (although I have yet to figure out why they killed off Steven Weber’s character so quickly), and keeping me interested enough to look forward to the next episode.  If you are into Sci-Fi and enjoy a good and (perhaps more importantly) original story you won’t be disappointed with Falling Skies.

The two-hour season finale is this Sunday at 9pm — up an hour from its usual spot at 10pm.  Important:  If you DVR it, it shows up as TWO different shows (at least with my cable company) so you may have to set your DVR to tape both time slots separately to get the whole show.

The Dying of the Light:  End by Jason Kristopher

The Dying of the Light: End

This is one of many books I choose sort of haphazardly based on the “items others have purchased” function on Amazon’s website.  Whereas this tactic often lands me with a book that I have to struggle to finish and/or deal with poor to non-existent editing, it’s still a worthwhile endeavor for a few reasons.  First, there are some real gems to be found this way and second, I am a true believer in reading works by authors who would have never been published back in the day (support unknown authors dammit!).   This is how I found The Dying of the Light:  End.  I should warn you, I am a fan of reading a story as fresh as possible.  So, I give as few details as possible on everything I review, while still attempting to ensure it is accurate and informative.  I also do not read any reviews before I write mine, so for better or worse, they are untainted by what others  have said.  On to the review…

The story is a zombie tale which is told primarily from the point of view of a somewhat reluctant soldier, David.  It begins with an interesting few chapters of a fictional history of the first zombies and a couple of characters brought in again later in the book.  Overall a nice, if a bit oddly placed lead-in to the rest of the story.

The majority of the book tells the tale of a government group of super-secret (aren’t they all?),  elite soldiers known as AEGIS (Advanced Experimental Genetics Intelligence Service) and their role with a zombie problem facing the world.  It’s not a typical “end of the world” tale, as it does not take place after bazillions of zombies decided to start chomping on humanity.  As I tend to enjoy those types of books, I thought this would make the book boring, but Mr. Kristopher does such a good job of character development and story telling that I was happy to be wrong.  (It also has some pretty good zombie chow-downs to boot, but lacked a little in the gore department for my tastes.)

Although there is a bit more soldier and gun lingo than I would like, it’s not nearly as bad as some books that ooze with so many military acronyms I lose track of what weapon is what, much less which calibers.  In this book the lingo makes sense, and it seems like the author tried to tone it down a bit for the sake of us civilian readers.  Thanks man, I appreciate it.

All in all, this was a solid book with a pleasant mix of zombies, military good guys, science and history (albeit fake history) and I recommend it.  On the negative side, there were a few slow areas but not enough to make me lose interest.  There were also a couple too many love scenes between the main character and his woman, but we are saved from falling into the romance novel porn pit that some horror books  throw us into.  Lastly, I would have liked to have seen more of a few of the lesser characters, some of which didn’t make it to the end.  That sucks.  But, since a sequel is on the way, The Dying of the Light:  Interval, I am hopeful to see the ones who did manage to make it very soon.  If that link doesn’t work for you, here’s another just in case.

YOU JUST MIGHT CARE, SO:   The Kindle version of The Dying of the Light:  End includes a preview of Interval.  I was impressed and very much intrigued.  It’s a definite buy once released.

Is It Torture Porn?

We can argue over whether the term “torture porn” is accurate or fair in the world of horror, and just might in the future.  But today, what we cannot argue is that it is now used in reference to horror films all the time by critics and fans alike.  So what is it, really?

What torture porn  actually is, I believe, depends on both the intent of the film and the emotional investment of the viewer.  Meaning, what moral or lesson is the film trying to teach us and are we able to recognize it when presented with it?  Is there even a lesson to be found?  In my estimation, torture porn movies are simply over-the-top graphic, cringe-inducing horror films that have no real reason for all of the gore.  Not that horror should always need a reason for gore (it shouldn’t), but it is nice to have one when the blood and guts are so thick and visceral you need a hacksaw (ha ha), a barf-bag and possibly a therapist on speed-dial to get through it.

Martyrs

For instance, I personally consider the Hostel franchise to be pure torture porn.  What lesson do we take from these films?  What is it that we learn?  Don’t go overseas and stay in a crappy hostel?  Don’t trust foreigners?  Whatever the supposed moral or meaning that (perhaps) is supposed to be in these films is virtually non-existent.  Instead, the viewer is saturated with horrific violence for no discernible purpose.  Thus, there is no real point for us to recognize even if we are able to do so.

On the flip side of Hostel we have Martyrs — and many reviewers have incorrectly branded both as torture porn.  Is Martyrs gruesome?  You bet.  Does it include a continuous 15 minutes of some the most brutal scenes I have ever seen in a film?  Why yes it does.  I would even go so far as to say it is more brutal than Hostel.  That said, it’s anything but torture porn.  It is in fact, the exact opposite.  The film manages to make you question a whole host of things, but most importantly it leaves you thinking about some damn deep issues for days afterwards.  Martyrs clearly was  not made for the younger audience, which in itself is a rarity today.  One would have to be an old soul indeed for anyone under the age of 18 to even begin to comprehend what this movie is even about.  Simply put, the fact that it strives to make the viewer learn something (in this case, about themselves) and the fact that the violence was a necessary element for the film to make its point absolves it from any attempts to label it as torture porn.

This is not to say that torture porn is necessarily bad or shouldn’t be made, on the contrary — it has its place in the horror genre.  Although it’s not my cup of tea, I don’t think that watching a film is going to create any serial killers or harm any burgeoning young minds.  But I do think it wise for those of us who love the horror genre to at least acknowledge that it does exist and that we should be careful to avoid equating torture porn with gruesome, but meaningful horror films.

OTHER BRAIN THINGYS:  There are a lot of other films that have been tossed into the torture porn pile that really aren’t besides Martyrs.  The Saw films, for instance, are not torture porn (even though they do give us lots of creative ways to kill people and man, I love them for it).  The Devil’s Rejects?  Well, you can decide that one.  Lastly, in the interest of full disclosure, apparently I am a “fuck-wit bible thumper.”  Who knew?